Autopsy of a Dead Coup
Shame on all these failed conspirators and their abettors, and may these immoral people finally earn a long deserved legal and moral reckoning.
The illegal effort to destroy the 2016 Trump campaign by Hillary Clinton campaign’s use of funds to create, disseminate among court media, and then salt among high Obama administration officials, a fabricated, opposition smear dossier failed.
So has the second special prosecutor phase of the coup to abort the Trump presidency failed. There are many elements to what in time likely will become recognized as the greatest scandal in American political history, marking the first occasion in which U.S. government bureaucrats sought to overturn an election and to remove a sitting U.S. president.
Preparing the Battlefield
No palace coup can take place without the perception of popular anger at a president.
The deep state is by nature cowardly. It does not move unless it feels it can disguise its subterranean efforts or that, if revealed, those efforts will be seen as popular and necessary—as expressed in tell-all book titles such as fired FBI Directors James Comey’s Higher Loyalty or in disgraced Deputy FBI Director Andrew McCabe’s psychodramatic The Threat.
In candidate and President Trump’s case that prepping of the battlefield translated into a coordinated effort among the media, political progressives and celebrities to so demonize Trump that his imminent removal likely would appear a relief to the people. Anything was justified that led to that end.
All through the 2016 campaign and during the first two years of the Trump presidency the media’s treatment, according to liberal adjudicators of press coverage, ran about 90 percent negative toward Trump—a landmark bias that continues today.
Journalists themselves consulted with the Clinton campaign to coordinate attacks. From the Wikileaks trove, journalistic grandees such as John Harwood, Mark Leibovich, Dana Milbank, and Glenn Thrush often communicated (and even post factum were unapologetic about doing so) with John Podesta’s staff to construct various anti-Trump themes and have the Clinton campaign review or even audit them in advance.
Some contract “journalists” apparently were paid directly by Fusion GPS—created by former reporters Glen Simpson of the Wall Street Journal and Susan Schmidt of the Washington Post—to spread lurid stories from the dossier. Others more refined like Christiane Amanpour and James Rutenberg had argued for a new journalistic ethos that partisan coverage was certainly justified in the age of Trump, given his assumed existential threat to The Truth. Or as Rutenberg put it in 2016: “If you view a Trump presidency as something that’s potentially dangerous, then your reporting is going to reflect that. You would move closer than you’ve ever been to being oppositional. That’s uncomfortable and uncharted territory for every mainstream, non-opinion journalist I’ve ever known, and by normal standards, untenable. But the question that everyone is grappling with is: Do normal standards apply? And if they don’t, what should take their place?”
I suppose Rutenberg never considered that half the country might have considered the Hillary Clinton presidency “potentially dangerous,” and yet did not expect the evening news, in 90 percent of its coverage, to reflect such suspicions.
The Democratic National Committee’s appendages often helped to massage CNN news coverage—such as Donna Brazile’s primary debate tip-off to the Clinton campaign or CNN’s consultation with the DNC about forming talking points for a scheduled Trump interview.
So-called “bombshell,” “watershed,” “turning-point,” and “walls closing in” fake news aired in 24-hour news bulletin cycles. The media went from fabrications about Trump’s supposed removal of the bust of Martin Luther King, Jr. from the Oval Office, to the mythologies in the Steele dossier, to lies about the Trump Tower meeting, to assurances that Michael Cohen would testify to Trump’s suborning perjury, and on and on.
CNN soon proved that it is no longer a news organization at all—as reporters like Gloria Borger, Chris Cuomo, Eric Lichtblau, Manu Raju, Brian Rokus, Jake Tapper, Jeff Zeleny, and teams such as Jim Sciutto, Carl Bernstein, and Marshall Cohen as well as Thomas Frank, Eric Lichtblau, and Lex Harris all trafficked in false rumors and unproven gossip detrimental to Trump, while hosts and guest hosts such as Reza Aslan, the late Anthony Bourdain, and Anderson Cooper stooped to obscenity and grossness to attack Trump.
Both politicos and celebrities tried to drive Trump’s numbers down to facilitate some sort of popular ratification for his removal. Hollywood and the coastal corridor punditry exhausted public expressions of assassinating or injuring the president, as the likes of Jim Carrey, Johnny Depp, Robert de Niro, Peter Fonda, Kathy Griffin, Madonna, Snoop Dogg, and a host of others vied rhetorically to slice apart, shoot, beat up, cage, behead, and blow up the president.
Left wing social media and mainstream journalism spread sensational lies about supposed maniacal Trump supporters in MAGA hats. They constructed fantasies that veritable white racists were now liberated to run amuck insulting and beating up people of color as they taunted the poor and victimized minorities with vicious Trump sloganeering—even as the Covington farce and now the even more embarrassing Jussie Smollett charade evaporated without apologies from the media and progressive merchants of such hate.
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